Welcome!

Welcome to my home page. This is my personal website, as distinguished from my official university website, which is now available at this address: http://psychology.ucdavis.edu/LabsProfile/Elms/PWT/.

Here at starcraving. com, you’ll find a wide range of content. You’ll  be able to read or download portions of two of my previously published books, plus assorted articles and papers that are not readily available elsewhere. The books are long out of print, and the original publishers have turned the copyrights over to me. Some chapters in these books and papers are of historical interest at best. But I think other chapters contain ideas and observations that are still worth reading; otherwise I wouldn’t put them here. For instance, I’ve posted the chapter dealing with obedience to authority, Acts of Submission, from my 1972 book Social Psychology and Social Relevance. This material, based on my work with Stanley Milgram, is unfortunately quite relevant to current news about torture and prisoner abuse in Iraq and  Guantanamo and elsewhere, and to news about other kinds of obedience to destructive authority in various parts of the world.  Also included are parts of a family cookbook that I put together several years ago, with recipes that are still worth cooking, and an assortment of my poems (mostly sonnets). Read the rest of this entry »

Alan Elms biographical interview

Alan Elms: Personality in Psychobiography

Interviewed by Kate Isaacson for the psychohistorical journal Clio’s Psyche

Alan Elms was born in 1938 in  Texas, and grew up in Arkansas, California, and Kentucky.  He received a BA in psychology from Pennsylvania State University in 1960 and earned his PhD in personality and social psychology at Yale University in 1965.  After teaching for three years at Southern Methodist University, Dr. Elms joined the  psychology faculty at the University of California, Davis, in 1967. He taught courses in personality theory, psychobiography, and political psychology to undergraduate and graduate students for many years. [In 2002, after this interview was published in Clio's Psyche, he became an Emeritus Professor of Psychology at UC Davis.]

Dr. Elms was a founder of the Personology Society and has been a long-time member of  the Bay Area Psychobiography Working Group.  He has received numerous honors for his work, including the 1988 Henry A. Murray Award, given by the Society for Personality and Social Psychology of the American Psychological Association (APA), for career contributions to personality psychology.  His books include: Role Playing, Reward, and Attitude Change (editor, 1969), Social Psychology and Social Relevance (1972), Attitudes (1976), Personality in Politics (1976), and Uncovering Lives: The Uneasy Alliance of Biography and Psychology (1994). Uncovering Lives earned a CHOICE Magazine award as one of the “Best Academic Books of 1995.”  In his final year of teaching before retirement, he received a UC Davis faculty research fellowship that took him to the University of California Washington Center in Washington, DC, to teach undergraduate seminars on personality and politics and to do research at the Library of Congress. He continues to work on  psychobiographical studies of Cordwainer Smith (Paul Linebarger) and Carl Jung, and is planning to write a book on “the Freud Wars.”    Kate Issacson interviewed this distinguished scholar at UC Davis and by phone and e-mail in the fall of 2001.

Kate Isaacson (KI): What influence did your early environment have on your interest in psychology?

Alan Elms (AE): When I was 10 or 11 and living in Arkansas, I began reading newspapers every day.  I found two kinds of articles especially intriguing: those on UFOs and those on the behavior and various bizarre or just deliberately funny statements of Arkansas politicians.  Then we moved to San Diego, where in 1950 my father took me to an anti-Nixon rally, when Nixon was running for the U.S. Senate against Helen Gahagan Douglas.  Nixon at that point was an  entertaining person to be against.  When we moved back to the South several years later, this time to Kentucky, Happy Chandler was the governor.  He had been baseball commissioner and was a very  amusing character, though as governor he was close to being a total idiot.  I had fun writing satirical pieces about him for the local newspapers.

KI: What did your parents think about your going into psychology?

AE: My father would have preferred that I go into some other “more scientific” area such as nuclear physics.  I had declared at 12 or 13 that I wanted to pursue a career as a writer.  He and my mother had both reacted very strongly against that idea, mainly in terms of “This is an uncertain profession” and “You’re not going to have a steady salary.”  My mother asked, “What if you run out of ideas?”  So I went into psychology, in part to earn a regular salary while still pursuing a career as a writer.

KI: Frank Sulloway (Born to Rebel, 1996) describes first-borns as typically less rebellious than later-borns.  As a first-born, how do you identify with his characterization?

AE: On his questionnaires I come out as an “honorary later-born,” partly because of a considerable degree of adolescent rebellion against my father.  In comparison to my five siblings, I have both shown the most initiative and been the most rebellious.  Sulloway’s research does not sufficiently take into account sheer individual variability.

My father was the last boy among nine children and was, in his own way, a somewhat rebellious individual.  One of the points of issue between me and my father was that I usually preferred staying inside, reading books, when he wanted me to be outside hunting, fishing, or farming.  But one of his older brothers told me that when my father as a young teenager was supposed to be out working on the family farm, he’d sometimes instead climb up on the roof of the house, out of sight, and read books.  I saw this earlier rebelliousness as something I could emulate.  I was academically an excellent student, but at times I resisted when teachers tried to make me do something that I saw as unreasonable or unfair.  My father would be outraged at the teachers and he’d write letters to the newspapers, denouncing the teachers and criticizing school policies.  He was not someone who obeyed orders without question.  As with psychobiographers Mac Runyan and Jim Anderson, I’ve written a non-fiction piece on my very early life in the form of an essay about my father, due to be published shortly in Between Fathers and Sons, edited by Robert Pellegrini and Theodore R. Sarbin.

KI: Did you have early literary publications?

AE: I published several poems in campus literary magazines and elsewhere.  But my main publishing venue was the campus humor magazine, the Penn State Froth.  I wrote large parts of each issue — satire, parody, crude campus humor, cartoons.  I also wrote two novels — both unpublished — at about that time.  The first was a combination tribute to and parody of the Beat Movement — I had been much impressed by Kerouac’s On the Road and The Dharma Bums. I was intrigued by Kerouac but didn’t believe in totally spontaneous writing — and it turns out that Kerouac didn’t either, though he pretended that was what he was doing.  My second novel was a comedy of campus political intrigues, featuring the rebellious editor of a campus humor magazine.

KI: So with these literary and political interests, how did you get involved with psychology research?

AE: I started with rats.  The Penn State Psychology Department was heavily behaviorist, really Skinnerian, so my first research assignment as an undergraduate was running a couple of rats in a Skinner box.  I found that pretty boring and I thought monkeys would be at least a step up.  The first social psychology class I took was taught by C.R. Carpenter, who was the only person who had done any systematic field research on monkey and ape behavior at that time.  I joined his last expedition to Barro Colorado Island in Panama, which primarily did a census of howler monkeys to find out the social composition in each group.  I also observed the incidence of intra-group aggression among these monkeys for a senior honors thesis.

KI: How did this lead to your joining the Milgram studies on obedience to authority?

AE: After about two weeks of studying howler monkeys, I knew that I didn’t want to make that my life work.  By the time I got to Yale Graduate School I wanted to do research on human beings.  I started there with Irving Janis, who was doing research on persuasion and the effects of role-playing on attitude change.  I knew something about that because I had been a competitive debater in high school and college for seven years.  In debate you don’t necessarily just advocate a position you believe in – sometimes you are assigned to a different position and have to support it regardless of your own beliefs.  It’s a very good background for research, for identifying the important issues and outlining the main points and supportive evidence.

But Irving Janis was to be away on sabbatical my second year, so I began looking for someone else to work with.  Stanley Milgram was a new, young assistant professor at Yale then, very organized, very self-confident.  He hired me for the summer when the obedience experiments began.  Milgram kept detailed notebooks of everything he was thinking and doing.  He was very good at outlining things and developing procedures.

I was very interested in using social psychological research to address major social issues.  Obedience to authority certainly was one.  It was important at the time in terms of understanding the psychological processes that led to the Holocaust but it was relevant to other social issues as well.  This was 1961, when obedience to destructive authority was evident among more than a few U.S. citizens.  I had recently written a couple of articles for the Nation magazine about right-wing political activism and I saw connections.

KI: What was your role during the experiments?

AE: I participated in the first few trials and helped develop the procedures for the rest of the obedience research.  I prepared the lists of words the subjects were supposed to memorize, recruited subjects on the phone, came to the lab every day, made sure the electrode paste was ready for application, etc. — I was Milgram’s man Friday.  Stanley and I both played various roles in the pilot, including each of us being the person giving the orders.  But we decided neither of us worked out very well as the Experimenter: I looked too young and Stanley was too short (he was around 5’6” or 5’7”).  He wanted somebody who would immediately be perceived as an authority.  Usually we both remained behind the two-way mirror, observing and discussing the current subject’s behavior.

KI: Did the obedience research change the tide of research in social psychology?

AE: It did briefly encourage some other researchers to find situations that realistically involved human subjects, rather than the very artificial experiments that most social psychological laboratories were doing then, and are now.  But then the controversy developed about ethical issues, and the Feds and the APA established ethical guidelines that made it very difficult to do research even remotely like that.

KI: In retrospect, how do you view your involvement with the studies?

AE: I participated for about a year.  It was certainly the most striking study I had been involved with, just in terms of research subjects engaging in what they felt to be a really intense and emotionally involving experience.  My main criticism is that Stanley was really not interested in personality variables that might affect people’s behavior; his concern was strictly with situational factors.  Irving Janis was clearly both a social and a personality psychologist.  Stanley Milgram was purely a social psychologist and I thought he was missing something.

KI: Please tell us more about your advisor, Irving Janis.

AE: He was an unusual psychologist in that he not only did laboratory studies of attitude change but was very interested in major political issues — this was when he wrote the book on groupthink (published as Victims of Groupthink, 1972).  He also was trained as a psychoanalyst.  He really started me on psychobiography by assigning our first-year graduate seminar to read Freud’s key chapter on the Irma dream and asking us to come up with additional interpretations besides Freud’s.  Irving responded very positively to the ones I came up with, based on material in Freud’s letters.  That eventually resulted in my first psychobiographical paper, on Freud and the Irma dream and Martha Freud’s sixth pregnancy.

Irving was a good role model — quite eclectic in his methodology as well as theoretically He was strongly Freudian but also utilized ego psychoanalysis, Erik Erikson and David Rappaport.  One of his major books was Psychological Stress (1958), which discussed the effects of stress in social psychological terms but used as an extended example a woman he had treated in full-scale psychoanalysis while she was developing cancer.  This was a combination of nomothetic and very idiographic research, so I was determined to do the same thing.

KI: After completing your doctorate, you taught at Southern Methodist University (SMU) in Dallas before coming to UC Davis in 1967?

AE: Yes, starting in Fall 1964  – John Kennedy had been assassinated in Dallas less than a year earlier.  I figured it would give me the opportunity to do sustained research on the personalities of extreme right-wingers.  This was the time that the John Birch Society was very active.  It was also then that Richard Hofstadter published his book, The Paranoid Style in American Politics (1965), which impressed me.  I assembled a sample of extreme right-wingers, people who had written really extremist letters to Dallas newspapers, and a sample of moderates.  I made certain statistical comparisons among those samples but I became most interested in how the right-wingers’ individual autobiographical experiences motivated them to take these extreme positions.

I was moving toward psychobiography with this interest in right-wingers as individuals rather than as an average.  In my first real book, Social Psychology and Social Relevance (1972), I included a good deal of material about personality variables interacting with social psychological variables.  But when I was hired at UC Davis, it was principally as a laboratory researcher and as a questionnaire researcher.  I was still working both on studies of attitude change and on political beliefs and thought Davis would be a good place to do research on left-wingers.  The students at Berkeley had started the Free Speech Movement by that time and the anti-Vietnam War movement was getting strong there, and Davis is only 60 miles from Berkeley.  But I found it nearly as hard to find real left-wingers in Davis as in Dallas.  So I gave up that line of research and at about the same time I stopped doing lab research on attitude change.  I decided there were plenty of other psychologists who were more eager to do lab research than I was and they were probably better at it, whereas I was one of a very few psychologists who seemed genuinely enthusiastic about psychobiography.

KI: What is your primary intellectual affiliation now?

AE: I’m primarily a personality psychologist but I still think I have some things to say about social psychology.

KI: Please describe your theoretical biases and methodologies in doing psychobiography.

AE: I try to find the theoretical orientation most appropriate to the subject I am studying, since I don’t feel that any single theoretical perspective fits everyone.  If I’m looking at what appears to be midlife crisis issues, I’ll go to Erikson or Daniel Levinson.  If I see a lot of sexual symbolism in a subject’s dreams or writings, I’ll see if Freud’s ideas about such things still work (as they do in looking at Freud himself!).  I’ve written about my preferred methods at some length in Uncovering Lives.  As with theoretical approaches, I try whatever works in amassing useful data about a subject.

KI: How do you respond to critics who claim that psychobiography is hopelessly subjective and therefore extremely prone to bias?

AE: By doing as good a job as I can of avoiding bias in my own work and using care to collect the sorts of biographical data that will persuade even the critics that there is something useful in a psychobiographical approach.

KI: What are your thoughts on Freudian psychobiography?

AE: With regard to Freud’s own psychobiographical work, I regard him as the field’s great pioneer who broke the trail for the rest of us but who failed to overcome his own biases.  See my “Freud as Leonardo,” Chapter 3 in Uncovering Lives, for a detailed discussion of what he did wrong in his longest psychobiography — especially in terms of his projective identification with Leonardo.  With regard to others’ work in Freudian psychobiography, sometimes it works and sometimes they should have chosen another approach.

KI: How do you assess the work of psychologists who use quantitative methods to study lives, such as Dean Keith Simonton and Frank Sulloway?

AE: Dean and Frank have both come up with interesting findings, which psychobiographers may find useful in providing a broader context for individual case studies.  Frank provides a number of mini-psychobiographies in Born to Rebel that sometimes support and sometimes contradict his overall quantitative findings.  He doesn’t seem to realize that his conclusions about children finding individual psychological “niches” in the family are more Freudian than Darwinian.

KI: What has been your experience in working with the dreams or daydreams of your subjects?

AE: I don’t usually have dreams or daydreams to work with, but I do look for imaginative constructions when I can find them.  In examining the psychobiographical foundations of B. F. Skinner’s theories, for instance, I found it very useful to have his novel Walden Two available to analyze, rather than having to work only with his intentionally non-self-revealing technical books and articles.

KI: Is psychobiography of women subjects, or “feminist psychobiography,” the same as or different than that of male subjects?

AE: “Feminist psychobiography” and “psychobiography of women subjects” are not the same thing.  Blanche Wiesen Cook’s psychobiography of Eleanor Roosevelt (1992) is explicitly feminist, pushing Roosevelt herself into a particular feminist pattern that the data don’t fully support.  Doris Kearns Goodwin’s “stealth psychobiography” (my term) of Eleanor Roosevelt in No Ordinary Time: Franklin and Eleanor Roosevelt (1994) is not feminist in any dogmatic sense, but is attentive to issues in her life that a female biographer would probably be more sensitive to than a male biographer would be, or might overlook or misinterpret.

KI: Can autobiography or memoirs be psychobiography?

AE: An autobiography or memoir can certainly be sufficiently attentive to psychological questions and answers to qualify it as psychobiography.  Erikson’s essay, “Autobiographical Notes on the Identity Crises,” on his own personal history in relation to identity issues is as psychobiographical as one can get.  Likewise Henry Murray’s essay in A History of Psychology in Autobiography (Vol. 5, 1967).  Jung’s Memories, Dreams, Reflections (1963) is psychobiographical in part, though I think Jung would have done better in his self-analysis if he’d used something besides Jungian theory.

KI: How are we to evaluate the quality of psychobiographies?

AE: By closely tracking the research methods used, by careful assessment of the quality of the biographical evidence, by evaluating the psychobiographer’s evident biases and relating them to his/her interpretations of the data, and by considering whether another theoretical approach to the subject would explain more or be more coherent.

KI: Please list the five people who you think have made the greatest contribution, in rank order, to psychobiography, with a brief “why” for each one.

AE: Freud, of course, as the granddaddy of us all — arguing in favor of a comprehensive approach to the subject’s psychology, rather than just doing pathography; offering at least a hint of appropriate methodological models; and providing an imperfect model, but a model nonetheless, of how to apply a broad theoretical approach to a specific subject (for example, Leonardo).

Erikson, of course — refining Freud’s approach; giving us very detailed examples of applying theory and method in two major cases and a number of shorter ones; giving much attention to issues of countertransference; and providing us with a developmental schema which among other things reminds us of certain key questions that we need to ask about our subjects at different parts of their life cycles.

Beyond Freud and Erikson come a number of people who have made significant contributions but whom I couldn’t rank in any sensible way: Henry Murray, William McKinley “Mac” Runyan, Doris Kearns Goodwin, Jim Anderson, Irv Alexander, Peter Loewenberg, etc.

KI: What special considerations are necessary in doing cross-cultural psychobiography, such as on Saddam Hussein?

AE: In my chapter on George Bush Senior and Saddam (in Uncovering Lives), I enunciate some of those considerations. Erik Erikson discussed them at greater length in Gandhi’s Truth.  Basically, they add up to the need to be very careful when you’re studying somebody from a different culture — whether it’s a subculture within our own country, or a culture as different from ours as that in Iraq or India or Renaissance Italy.

KI: Please name five exemplary psychobiographies, with a brief reason for each one.

AE: Erikson’s Young Man Luther and Gandhi’s Truth are exemplary for their biographical detail, theoretical perspectives, and displays of methodological thoughtfulness.  I know that several of the specialists on Luther have complained about one or another detail in Young Man Luther, but I haven’t seen them producing a more psychologically sophisticated or persuasive account of his basic motives and his development in young adulthood.  Likewise for specialists on Gandhi — Erikson did as good a job as anyone could expect in approaching Gandhi from a non-Indian’s perspective and at the same time offered us a fascinating comparison of Gandhi’s “truths” with Freud’s “truths.”  Both books are full of explicit and implicit methodological lessons for would-be psychobiographers.

Freud’s Leonardo book, for providing later psychobiographers with an array of prescriptive and proscriptive guidelines as detailed in my Uncovering Lives.  Doris Kearns Goodwin’s book on Lyndon Johnson, Lyndon Johnson and the American Dream (1976), still one of the best political psychobiographies, for her use of inside information about LBJ and for her attention to the ways in which personality interacts with specific political roles.  Goodwin’s No Ordinary Time, for insightful analyses of the great husband-and-wife team, even though Goodwin avoids citing the sources of her theoretical approach.  John Bowlby’s book on Darwin, Charles Darwin: A Biography (1990), for the restraint he shows in suggesting connections between Darwin’s psychosomatic problems and Darwin’s theories, while advancing a persuasive explanation of how those psychosomatic problems developed and were eventually resolved.

KI: Which are a couple of purported psychobiographies that are examples of how not to do psychobiography?

AE: Gail Sheehy’s multiple analyses of Presidential candidates in the magazine Vanity Fair, partly collected in her book Character: America’s Search for Leadership (1988); and various Freud-bashing books trying to invalidate Freud’s theories by offering wild analyses of his personality.

KI: What training and experience has been most helpful in your doing psychobiographical work?

AE: Getting a fair amount of clinical training during graduate school was helpful, but I think it would have been less helpful if I hadn’t also been getting trained in the more “scientific” approaches to research in personality and social psychology.  Training in classical and contemporary psychoanalytic theory, in grad school and later, has been quite useful.  In addition, I have undergone psychoanalytic psychotherapy from two wise analysts.  I wouldn’t say that it changed my outlook on society, but I think it gave me greater self-insight (a useful thing for a psychobiographer to develop as much as possible) and more self-confidence that my perceptions of others’ behaviors and personalities were more often than not reasonably veridical.

KI: What are you working on now?

AE: I’m working to finish a couple of book-length projects: a psychobiographical novel on C.G. Jung and a full-scale biography of Paul Linebarger, aka Cordwainer Smith.  The Jung novel, focusing on his six-month journey across East Africa and down the Nile in 1925-1926, grew out of my research on Jung’s autobiography and is an effort to get at some psychological insights about him that might be more elusive via straightforward psychobiography. The book on Linebarger is my first and maybe last effort at doing a life history essentially from scratch.  Previous biographical work on him was quite limited in length and scope, so I’ve had to work from the ground up to establish the broad outlines as well as the details and subtleties of his life.  (I do want to give credit to John J. Pierce, who did the first biographical work on Linebarger in a fanzine article and a book introduction.)  Linebarger is a fascinating subject for several reasons.  His book, Psychological Warfare (1948), was a pioneering effort and is still well worth reading. His scholarly studies of China only partly conceal a strongly ambivalent personal relationship with the Sun Yat-sen and Chiang Kai-shek regimes. His work for U.S. Army Intelligence and the CIA, mostly unpublished and unavailable for public view, was given alternative expression in several pre-James Bond spy novels (only one of which was ever published, Atomsk) that are a good deal more psychologically complex than anything Ian Fleming ever wrote. Perhaps most significantly, his science fiction under the pseudonym “Cordwainer Smith” remains strongly influential on many contemporary science fiction writers (for example, Ursula Le Guin, Harlan Ellison, Norman Spinrad) for its psychological strangeness as well as its literary style. In addition, Linebarger may have been the patient in the famous case history by Robert Lindner, “The Jet-Propelled Couch” in The Fifty-Minute Hour.  So there has been plenty to sustain my interest over two decades of intermittent but often intensive research on Linebarger’s life and work.

KI: What is the status of the book-length psychobiography of Elvis Presley that you are/were collaborating with Bruce Heller on?

AE: Elvis is on the back burner right now, but I move him to a front burner again every time I visit Graceland.  Maybe that book will get finished after Cordwainer.

Kate Isaacson is a doctoral student in personality and social psychology with Alan Elms at the University of California, Davis.  Her research interests are in psychobiographical theory and methodology, literary psychobiography, life course theories of personality, and the personality and social correlates of addiction.  She is currently the research coordinator for the Northern California Methamphetamine Study (National Institute of Health/UC Davis Medical Center), and is working on a psychobiographical study of Tennessee Williams, a study of recipients of the Nobel Prize for Literature, and a longitudinal study of creative productivity in Pulitzer Prize winners and nominees. [Actually, as of the 2010 date of this starcraving.com website posting, Dr. Isaacson has become a faculty member at Holy Names University in Oakland, CA.]

Cordwainer Smith, Rediscovered

Review of Cordwainer Smith [Paul M. A. Linebarger], The Rediscovery of Man: The Complete Short Science Fiction of Cordwainer Smith. (James A. Mann, ed.) Framingham, MA: NESFA Press, 1993.

Reviewed by Alan C. Elms

First: Buy this book. Urge your library to order this book. It contains every published piece of shorter fiction by one of science fiction’s true originals, plus a couple of previously unpublished efforts. It begins with an informative introduction by John J. Pierce, who has been writing about Cordwainer Smith longer than almost anyone. It is firmly bound, printed on acid-free paper in clear Times New Roman, and it’s a bargain at $24.95 for nearly 700 packed pages.

Second: The book is not the book it could have been. (What book is?) Though it’s textually more accurate than most earlier editions of Smith’s work, it is not an authoritative edition. The editor tells us that previously published magazine and book versions of “many of the stories” were compared in order to arrive at the texts included here; but only one story, the classic “Scanners Live in Vain,” is printed in a corrected version based on the original manuscript. We are not told what guidelines were followed in deciding which variant to accept when two or more versions were discrepant. Further, even though the editor and his associates worked to prevent the intrusion of new errors (the bane of certain other small-press editions in the field, such as the 1987 collection of Fredric Brown’s stories, And the Gods Laughed), occasional typos have indeed crept in.

In most instances the typos, whether carried over from previous versions or introduced here, are minor. But this edition would have been a good opportunity to correct several more substantive errors in the standard Smith texts. Some of those errors were corrected in the 1985 print runs of the Ballantine/Del Rey paperback editions of Smith’s work, at Judy-Lynn del Rey’s direction. For example, toward the close of “Alpha Ralpha Boulevard,” a bird warns the narrator with a telepathic “no-no-no-no!” As the next paragraph is usually printed, it reads, “Now what? thought I. A bird’s advice is not much to go upon.” In the corrected Ballantine edition, based on Smith’s manuscript, it reads, “No what? thought I,” etc.—a small difference but a meaningful one. Such corrections were not carried into the present volume.

Other problems arise from editorial decisions involving entire stories. Both of the newly published works are problematic. “War No. 81-Q (Rewritten Version)” was Paul Linebarger’s attempt to take a piece of juvenilia, written when he was 15, and revise it to sell at age 48. His first paragraph struggles to tie the story into his Instrumentality-of-Mankind future history, but the rest of the revision doesn’t fit that history and probably wasn’t worth the bother.

“Himself in Anachron” is quite a different matter. Linebarger wrote it in 1946, soon after “Scanners Live in Vain,” and tried to sell it to several magazines. But whereas “Scanners” reached a broad audience a mere seven years after it was written, “Anachron” remained unpublished for over 40 years. (A French translation came out in 1987.) Even now, the story appears in a form distinctly inferior to what Linebarger wrote. Linebarger’s widow Genevieve sold the story to Harlan Ellison 20 years ago for publication in Last Dangerous Visions. Unfortunately she rewrote it before she sent it to Ellison. (Her husband had encouraged her to draft occasional paragraphs and poems for his stories, and she hoped to continue writing under the Cordwainer Smith name after his death.) “Himself in Anachron” remains, even in the Genevieve Linebarger version published here, an intriguing exploration of time travel paradoxes and involuntary religious martyrdom. But in its undoctored form it’s real Cordwainer Smith, while her version is often off-key. Harlan Ellison, I’ve heard, is not happy that the story appeared here before he could bring it out himself. Perhaps he can turn the tables, when he finally produces Last Dangerous Visions, by prominently displaying the true Cordwainer Smith version of “Himself in Anachron.”

Another problem with The Rediscovery of Man arises from a decision that was on the whole a positive one: the arrangement of the stories in chronological order. “Chronological order” here does not mean the order in which the stories were written, but the order in which they take place in Cordwainer Smith’s future history. Presentation of all the shorter Instrumentality stories together for the first time in their (approximately) proper sequence strengthens the resonance of their interconnected elements. As we read through individual stories that refer backward or forward to each other, the whole indeed becomes greater than the parts. However, the arrangement also means that several of Smith’s weaker stories come first in the volume; his imagination really took wing only in the atmosphere of the remote future. Even worse, the arrangement places early in the volume an unfinished story badly completed by Mrs. Linebarger (“Queen of the Afternoon”), and it includes as the last story in the Instrumentality sequence a flatfooted effort written entirely by her (“Down to a Sunless Sea”). Cordwainer Smith’s reputation would have been better served by stopping with his final entry in the chronology, the intriguingly peculiar and intensely personal “Three to a Given Star.”

The Rediscovery of Man also reprints several non-Instrumentality stories, none among his best work. (One entry in this “Other Stories” section, “Nancy,” was actually regarded by Paul Linebarger as an Instrumentality story, though it doesn’t add much to the future history.) Ideally the book should have included the novel Norstrilia, which is set firmly in the Instrumentality universe, rather than these lesser efforts. Nonetheless we should be thankful for what is here. What’s here is everything from “The Lady Who Sailed The Soul” and “Think Blue, Count Two” and “The Game of Rat and Dragon” to “The Ballad of Lost C’mell” and “A Planet Named Shayol” and “On the Storm Planet,” with much else before and after and between—a critical mass of brilliant stories that fully deserve hard covers and acid-free paper. As Ursula Le Guin says about these stories in her introduction to the Norton Book of Science Fiction (edited by Le Guin and Brian Attebery with Karen Joy Fowler, 1993), “It is an extraordinary body of work, not yet adequately appreciated by critics, and only erratically reprinted. . . . I hope readers may discover in it what I did [specifically in ‘Alpha Ralpha Boulevard’]: the opening of a door into a new poetry.”

Last (and least): J. J. Pierce’s introduction to this volume says Paul Linebarger “grew up in China, Japan, Germany, and France.” The dust jacket says Linebarger “grew up in Japan, China, France, and Germany.” Paul Linebarger enjoyed playing identity games, which often involved telling people the truth in deliberately misleading ways. He would have had a good laugh at the prominence of Japan on these lists. He did spend several important years of his childhood, adolescence, and adulthood in China, and he lived long enough in France and Germany to cite them as residences. But that was not the case for Japan. The Japan story got its start with a biographical note Linebarger prepared for his first novel, Ria, published under the pseudonym Felix C. Forrest: “As a very young child, he was taken to Japan, and he still regards the Inland Sea as the most beautiful spot on earth.” True enough—his parents literally did “take him to Japan” when he was six years old. But they merely stopped off there for a few days of touring, en route to their actual destination of Shanghai. Linebarger visited Japan again upon occasion, but never long enough to count it seriously as a place where he “grew up.” He included Japan as a red herring in that pseudonymous biographical note, to misdirect readers who might otherwise see through his disguise. The red herring worked well at the time—and like one of Cordwainer Smith’s ancient but deadly manshonyaggers, it’s still working, long after its original purpose has faded into history.

[Originally published in Extrapolation, 1994, 35 (2), pp. 163-166.]

From Ulmus.net to Starcraving.com

I’ve just finished transferring all the content (with a few minor exceptions) from my old website, ulmus.net, to this new website. The few things that I didn’t bring over to the new site were very minor items that (once upon a time) I thought I’d eventually expand, but never got around to. The content transferal, begun by my webmaster Knox Bronson, turned out to be a more time-consuming job than I had anticipated. But now that it’s done, I can start adding new material, or material that has been published elsewhere but that I haven’t gotten around to posting on the Net yet. The latter includes most chapters of my books, Social Psychology and Social Relevance and Personality in Politics, plus various papers and articles originally published in places where the publishers may be fussy about when and where the material is posted. I also have three finished novels and a dozen or so short stories that I could publish here — but the first of the novels and several of the short stories are too weak to see the light of day anywhere, and the third of the novels deserves re-submission to real hard-copy publishers after some further revision. That leaves the second novel, which I still think is pretty funny even though it’s now close to 50 years old … but you don’t have to read it, honest!

Smith/Linebarger Archival Locations

Alan C. Elms

There are two major archives of the papers of Paul M. A. Linebarger (aka Cordwainer Smith). The bulk of his fiction manuscripts, including his science fiction, is held by the Spencer Research Library, University of Kansas, Lawrence, Kansas. The bulk of his papers dealing with China, psychological warfare, and other topics connected with his academic and military careers can be found in the Hoover Institution Archives, Stanford, California. A few items are in other archives: e.g., the edited manuscript of his short story, “Alpha Ralpha Boulevard,” is in the editorial archives of the Magazine of Fantasy and Science Fiction, Syracuse University, Syracuse, New York. Syracuse University also holds some of his manuscripts of stories that were published in Galaxy Science Fiction.

The University of Kansas archives do include some items dealing with Linebarger’s academic and Army Intelligence activities, while the Hoover Institution collection includes some manuscripts relevant to Linebarger’s literary career (including partial drafts of his novel Norstrilia). When his widow Genevieve Linebarger died, large amounts of material from the estate had to be dealt with in a brief time frame, and the sorting of material into different piles was not totally accurate. At the same time, some sensitive material was apparently shipped to a military archive, though I have not been able to find it. (I would appreciate being informed if anyone else locates it.) Some material was probably thrown out as trash; among other things, the files of Linebarger’s correspondence appear to be rather incomplete. There are few early drafts of the Cordwainer Smith stories in any archive, but that may have just been the way he worked on the fiction: carefully developing it in his imagination without notes, then dictating or writing it down in one or two passes. I’ve been told by people who observed his writing of nonfiction books, or who took graduate courses from him, that they were amazed by his ability to produce long passages of elegant prose from memory or from his own improvisation, without notes or previous drafts.

Most of the books in Linebarger’s large personal library (including an extensive collection of science fiction) were sold in large lots at the estate sale after Genevieve L.’s death. The book dealers who bought them have long since sold them off individually, but one or another book often pops up for sale on the Net, usually at premium prices if they contain a signature, bookplate, sticker, or rubber stamp indicating that they were from his library. Original Paul M. A. Linebarger or Cordwainer Smith manuscripts outside the Kansas and Hoover Archives are rare. Occasionally booksellers list books or manuscripts written by his father (Paul Myron Wentworth Linebarger, who also published under the names “Paul Linebarger” and “Paul Myron”) as being by Paul Linebarger the son; these materials may be of associational interest to collectors, but should not command similarly high prices. Most of Paul M. W. Linebarger’s papers are in the Hoover Institution Archives.

Cordwainer Smith Pronunciation Guide

Alan C. Elms

In the Cordwainer Smith stories, Paul Linebarger drew directly from many languages for the names of characters, planets, etc. In certain instances the names are multi-lingual puns; in others, their origins remain obscure. Linebarger played with the changes in pronunciation of current-day names that might occur over thousands of years of future history: e. g., “Miami, Fla.” becomes “Meeya Meefla.” His intended pronunciations of many names in the CS universe can only be guessed at; he left few specific suggestions. But here are a few of the more significant names whose preferred pronunciations are known or can be reasonably inferred:

Linebarger: I list this one first, even though it doesn’t appear in the Cordwainer Smith stories, because I’ve often heard it mispronounced and because anyone who talks much about the stories needs to know how to pronounce their author’s real name correctly. It’s three syllables, not four, and the “g” is hard, not soft. So it’s LINE – bar – ger, and the name doesn’t have anything to do with barges or with French sounds.

Cordwainer: This is pronounced just as it’s spelled: CORD-wain-er. You may have been told (for instance in earlier editions of the Wikipedia website’s “Cordwainer Smith” entry) that it’s pronounced as if it were spelled “Cordiner.” That is indeed how the word was sometimes pronounced and spelled in pre-twentieth-century Scotland. But Paul Linebarger was not Scots and he didn’t pronounce it that way. Nobody alive really knows why he chose “Cordwainer” as a pseudonym, but his late brother told me it was partly because the rhythm of “Cordwainer” is the same as the rhythm of “Linebarger.”

C’mell: Cordwainer Smith does tell us how to say his great cat-woman’s name (in the prologue to the collection Space Lords): “pronounced as though it were k-mel.” Generally, his characters whose names start with a C-apostrophe are cat-derived and thus their names are pronounced with a hard C as in “cat.”

Norstrilia: Readers often pronounce the name of this planet with a short “i” in the middle, as if it had something to do with nostrils. (Maybe they’re thinking of the over-the-counter nasal decongestant called Nostrilla.) But you should keep in mind that the planet’s settlers were Australians. Australians often jokingly (or sometimes seriously) pronounce the word “Australian” as “Strine” (with a long “i”), and Paul Linebarger pronounced “Norstrilia” (short for “Old North Australia”) as Nor – STRILE – ya.

Sto Odin: If I remember my college Russian correctly, “Odin” (meaning the number “one,” not the Norse god) is pronounced with the accent on the second syllable. So the name of the Instrumentality’s Lord Sto Odin is pronounced something like: Shtoh Ah-DEAN. (But my Russian accent is pretty bad.)

Other Words: When in doubt about pronunciation of unfamiliar words or names in the Cordwainer Smith oeuvre, try pronouncing them phonetically, just the way they look in English — even if they probably or certainly came from another language. Thus Artyr Rambo’s last name is pronounced exactly like the Rambo from the action movies, although Linebarger was thinking of the French poet Rimbaud rather than the actor Sylvester Stallone; and the future killing-machine manshonyagger is pronounced just that way, MAN-shon-yag-ger, rather than any closer to its German linguistic origin, menschenjagger.

My Published Writing on Cordwainer Smith

Elms, A. C. (1984). The creation of Cordwainer Smith. Science-Fiction Studies, 11, 264-283.

Elms, A. C. (1988). Cordwainer Smith (Paul M. A. Linebarger). In J. Gunn (Ed.), The New Science Fiction Encyclopedia, 422-423. New York: Viking Penguin.

Elms, A. C. (1991). Origins of the underpeople: Cats, Kuomintang and Cordwainer Smith. In T. Shippey (Ed.), Fictional Space: Essays on Contemporary Science Fiction (Essays and Studies 1990), 166-193. Oxford: Basil Blackwell/Atlantic Highlands, NJ: Humanities Press.

Elms, A. C. (1991). Cordwainer Smith. In M. J. Bruccoli (Ed.), Bibliography of American Fiction: 1919-1988, Vol. 2, 461-462. New York: Facts on File.

Elms, A. C. (1994). Uncovering Lives: The Uneasy Alliance of Biography and Psychology. New York and Oxford: Oxford University Press. [Page 26 and pp. 112-116 deal with Cordwainer Smith.]

Elms, A. C. (1995). Introduction to Norstrilia. In Cordwainer Smith, Norstrilia, corrected edition, ed. James Mann, vii-xiii. Framingham, MA: NESFA Press.

Elms, A. C. (1995). A psychologist investigates Cordwainer Smith. Alpha Ralpha Boulevard [Tokyo], #10, 7-8. [Available on this website.]

Elms, A. C. (2000). Painwise in space: The psychology of isolation in Cordwainer Smith and James Tiptree, Jr. In G. Westfahl (Ed.), Space and Beyond: The Frontier Theme in Science Fiction. Westport, CT: Greenwood Press, 131-140. [Available on this website.]

Elms, A. C. (2000). From Canberra to Norstrilia: The Australian adventures of Cordwainer Smith. Foundation, 29 (whole #78), 44-58. [Available on this website.]

Elms, A. C. (2001). Between Mottile and Ambiloxi: Cordwainer Smith as a Southern writer. Extrapolation, 42, 124-136. {Available on this website.]

Elms, A. C. (2001). Solar Sails in Science Fiction. Planetary Society Web Page: http://www.planetary.org/solarsail/science_fiction.html

Elms, A. C. (2002). Behind the Jet-Propelled Couch: Cordwainer Smith & Kirk Allen. New York Review of Science Fiction, vol. 14, No. 9 (May), pp. 1 plus 4-7. [Available on this website.]

Elms, A. C. (2002). Cordwainer Smith Scholarly Corner. The Remarkable Science Fiction of Cordwainer Smith Web Page: http://www.cordwainer-smith.com/scholarly.htm [This needs to be updated -- I'll do so soon.]

Elms, A. C. (2002). Cordwainer Smith in Japan. Science Fiction Studies, 29, p. 529.

Elms, A. C. (2005). Norstrilia by Cordwainer Smith (pp. 1186-1188). In G. Westfahl (Ed.), The Greenwood Encyclopedia of Science Fiction and Fantasy. Westport, CT: Greenwood Press.

Cordwainer Smith F.A.Q.

Alan C. Elms

[This list of Frequently Asked Questions will be considerably expanded when I have a little free time to put into it. The questions below are mostly filler items, though the answers are accurate.]

Q: What was Cordwainer Smith’s real name? A: Paul Myron Anthony Linebarger.

Q: Where did the term “Abba-dingo” come from? A: Probably from the French words for “mad priest.”

Q: Did Paul Linebarger ever live in Japan? A: No. Though he visited Japan on a number of occasions, the first time when he was about 6 years old, his longest stay was less than a month. He did, however, have considerable knowledge of Japanese culture.

Q: Where is Paul Linebarger buried? A: In Arlington National Cemetery, across the Potomac River from Washington, DC.

Q: Where are Paul Linebarger’s personal papers archived? A: His literary papers (including his work as Cordwainer Smith and drafts of his fiction under other pseudonyms) are mainly located at the University of Kansas, in Lawrence, KS. His scholarly work on China, much of his work on psychological warfare, and some of his intelligence work on projects in other countries, are mainly located in the Hoover Institution Archives on the Stanford University campus in Palo Alto, CA. Some of his papers on his intelligence work for US Army Intelligence and for the CIA are not located in any publicly accessible archives — and if you know where they are, send me an e-mail.

Q: Was Paul Linebarger the patient called “Kirk Allen” in the famous case history “The Jet-Propelled Couch,” in Robert Lindner’s book The Fifty-Minute Hour? A: Very likely yes (though I’m not absolutely certain about that). See my article in the New York Review of Science Fiction, discussed elsewhere on this website, for a good deal of evidence that he was Kirk Allen, and for evidence that various other people were NOT Kirk Allen. I’ll include still more evidence of both kinds, as well as some reasons why I’m not absolutely certain, in my biography of Paul Linebarger, which I hope will be finished by the end of 2011 or soon thereafter.

Q: Was Cordwainer Smith the greatest science fiction writer of all time? A: Well, I don’t rank writers ordinally, but he was certainly one of the best. You can find plenty of fan encomia about CS on the Net, but perhaps a better indication of his quality is to see what other science fiction writers have to say about him. Almost without exception (the exceptions, in my experience, being mainly a few young writers who haven’t gotten around to reading him), the writers will talk about their awe of his work, and about how they have been influenced by him or have tried — usually without success — to “write like Cordwainer Smith.”

Career Advice for Would-Be Psychobiographers

Alan C. Elms

Anyone who’s interested in pursuing a career in psychobiography, whether as a college professor or as an “independent scholar,” should first take a look at the Handbook of Psychobiography, edited by William Todd Schultz and published in 2005 by Oxford University Press. Then look at Todd Schultz’s web page, http://www.psychobiography.com/. If you’re still interested in psychobiography as a career, get in touch with Todd or me for further advice and encouragement — or discouragement. I have never encouraged anyone to aim for an academic career primarily in psychobiography, since very few psychology departments look for faculty with expertise in that area. But if you’re really passionate about becoming a psychobiographer, we can give you some sense of career paths that might enable you to practice this worthy profession at least part-time. I no longer accept graduate students to work with me, since I have officially retired from my academic position, but perhaps  Todd or I can suggest faculty members on other campuses who can help you prepare for such a career.

Personality Theories I Find Most Useful

Alan C. Elms

There are personality theories that I admire but never use. Those listed below are theories that I have actually used in doing psychobiography. None of them works for every biographical subject, but each one works some of the time. For examples of use, see my book Uncovering Lives, or my chapter titled “If the Glove Fits” in the Handbook of Psychobiography, edited by William Todd Schultz (Oxford University Press, 2005).

1) Freudian theory. It’s obviously wrong in certain ways, outdated in others, but insightful and revealing in still others. Unconscious motivation is important to humans, though it isn’t always just sexual or aggressive (and Freud didn’t limit himself to discussing those two categories, either). Psychological defenses are an important component of each individual’s psyche. Dreams can be revealing, though Freud’s ideas about the primary psychological functions of dreams are only partially supported by systematic research. And so on.

2) Erik Erikson’s psychosocial developmental stages. Above, I didn’t list Freud’s psychosexual stages; I find them a little useful (for instance in analyzing the story of Goldilocks and the Three Bears), but not a lot useful. Erikson’s psychosocial stages help me to some degree with virtually every psychobiographical subject I study. Again, there are problems with Erikson’s concepts, and we can get into those elsewhere on this website. But they do remind me of important issues that are worth exploring in any individual’s life, and give me ways to think about those issues.

3) Clinical theory. Psychotherapists have found out a lot about human beings over the past century, and what they’ve found and re-found and re-re-refound adds up to a body of theory that is to some extent independent of Freudian or Jungian or other big-theory concepts. Clinicians can sometimes come up with pretty wacky ideas, but when a concept keeps arising in interactions between many clinicians and many patients, it’s worth paying attention to. The DSM-IV is one compendium of such concepts, but not the best source for a lot of them.

4) Silvan Tomkins’ script theory. I won’t go into its details here, but I’ll say that out of all the broad personality theories developed since the great heyday of psychoanalysis and its immediate descendants, script theory is the most promising. It’s often hard to follow Tomkins’ highly compressed writing style; take a look at Rae Carlson’s “translations” of Silvan’s work into much plainer English. I’m not sure all of Tomkins’ theoretical structure is needed in order to support various of his more specific concepts, but I’m happy to borrow some of those concepts.

The Website of Alan C. Elms